crosgot.blogg.se

1. ALL FULL FRAME CANON CAMERAS NOTDLSR MOVIE
2. ALL FULL FRAME CANON CAMERAS NOTDLSR PRO
3. ALL FULL FRAME CANON CAMERAS NOTDLSR ISO

ALL FULL FRAME CANON CAMERAS NOTDLSR ISO

New 30.4 Megapixel full-frame CMOS sensor for versatile shooting in nearly any light, with ISO range 100–32000 expandable up to 50–102400 (equivalent ISO).Price: Around AUD1000 for body and kit lens. Power: Rechargeable lithium ion battery, DC input.

ALL FULL FRAME CANON CAMERAS NOTDLSR PRO

Memory: Memory Stick PRO Duo, PRO-HG Duo, SD, SDHC, SDXC cards. Metering: Multi pattern, centre-weighted and spot. Image Sensor: 14.2 million effective pixels. Why you wouldn’t: you still want an optical pentaprism finder. Why you would buy the Sony NEX-3: to enjoy a very small, high res camera you want high quality images you already have some The quality of images in terms of resolution, colour fidelity and low noise is little short of superb. This is a significant camera and I figure it will turn the whole business of sensor size completely upside down. The camera’s face detection handles up to eight faces. The viewfinder menu is a stunner, resembling a computer screen in all its full colour, icon-splashed glory.Įxpect to see a whole boatload of accessories and stunning lenses in the coming months.Ĭoming are accessories like a wide angle and fish-eye extender lenses accessory flash adapters for lenses made for the larger format Alpha lenses. However, both models share an excellent tilting LCD screen - up by nearly 90 degrees from vertical, out and down by about 30 degrees.

ALL FULL FRAME CANON CAMERAS NOTDLSR MOVIE

The Sony NEX-5 has one even better spec: AVCVHD movie shooting in Full HD: 1920×1080 pixels. It has two major and highly appealing features from the earlier, compact DSC-HX5V: an amazing panorama feature that can be used with the camera horizontally or vertically (you’ll love the rapid fire of the shutter as it shoots the sections!) high burst rate. Note that a larger sensor leads to a more narrow depth of field, closer to that of a 35mm SLR. The CMOS is much larger than the Micro Four Thirds sensor, leading to some major benefits: maximum image size is 4592×3056 pixels, or 39x26cm in print-speak. The lens barrel was a huge 62mm in diameter. The review camera was loaned with an f3.5-5.6/18-55mm lens. The major difference is the relatively large lenses that mount on this body. The body is roughly similar to Olympus’ new PEN series: no eye level finder (although they are available as clip on accessories) no on board flash (accessory unit available) large 7.5cm LCD screen. The camera currently in my hot, sweaty hands is the lesser of the pair: cheaper and slightly less featured but still highly specked. While Sony has entered late, it has burst through the door with all guns blazing. Now Samsung has entered the fray with its NX10: APS-C-sized sensor, small body, cheaper price. So Olympus and Panasonic have done very well. Buyers have warmed to the smaller (than DSLR) form factor, light weight and interchangeable lens factor. In the last six months it has been apparent that the Micro Four Thirds cameras have won great appeal in the market. So Sony gave me a review unit of the Sony NEX-3 three days, explaining that they were so fearful of leaks that a Sony person would collect it from me when my time was up: “Can’t trust couriers - they’ve been known to open up boxes and leak the info to competitors!” I was under an NDA (Non Disclosure Agreement) from Sony. A few days ago I could tell nobody about this newbie.